无限破坏 休闲游戏，PC，2020 后退 介绍 Infinite Destruction 是一款轻松的游戏，一名普通军官决定摧毁他的办公室、他的公司、他的城市……一直到宇宙。 *在网易公司实习期间完成 活动 2020最佳技术奖（无限毁灭）、2020 EasePlan小游戏挑战赛 2020年最佳艺术奖（无限毁灭）、2020年EasePlan小游戏挑战赛 2020杰出游戏奖（无限毁灭）、2020 EasePlan小游戏挑战赛 我的角色 设计师、程序员

生活美好 生产力应用程序，iOS，2020 介绍 《美好生活》是一本日记&规划移动应用程序具有强大的功能和优雅的设计，帮助您过上丰富多彩、富有成效的生活。 *可在 AppStore 上获取。 活动 2021 白金奖、最佳移动应用设计（一月）、最佳移动应用奖 我的角色 独立开发者 后退

着色器 实习经历 穿越现实世界的旅行。 < Back to Codespace

实习经历 穿越现实世界的旅行。 Celestial Blossom: A Collaborative, Meditative VR Journey of Fractal Art and Music Associated With NYU Future Reality Lab Presented at SIGGRAPH Asia 2025 Celestial Blossom is a collaborative, meditative VR experience where participants co-create generative fractal art through hand-drawn sketches, transforming movements into evolving audiovisual symphonies. Set in a celestial void, strokes morph into glowing fractal particles, from microscopic grains to cosmic stars, each shaping sonic textures and evolving into an immersive soundscape. Multiplayer interaction allows users to weave their creations into a shared immersive composition. At the end, participants receive a printed rendering of their artwork, which can be scanned to revisit the fractals and melodies they created in VR. Details > Pincun Liu, Keru Wang, Yi Wu, Xiaoan Liu, Yushen Hu, Zhu Wang, Agnieszka Roginska, and Ken Perlin. (2025). Celestial Blossom: A Collaborative, Meditative VR Journey of Fractal Art and Music. In SIGGRAPH 2025 Extended Abstract (pp. 1-2). Citation A Collaborative Multimodal XR Physical Design Environment Associated With NYU Future Reality Lab Presented at SIGGRAPH Asia 2024 Traditional design processes for physical prototypes can be time-consuming and costly due to iterations of prototyping, testing, and refinement. Extended Reality (XR) technology with video passthrough has its unique benefits in alleviating the issues by providing instant visual feedback. We develop an XR system that provides annotations and enables interactive visual modifications by superimposing and aligning visual counterparts to physical objects. With multimodal inputs, the system could help designers quickly experiment with and visualize a wide range of design options, keep track of design evolutions, and explore innovative solutions without the constraints of physical prototyping. As a result, it could significantly speed up the iteration process with fewer physical modifications in each design iteration. Keru Wang, Pincun Liu, Yushen Hu, Xiaoan Liu, Zhu Wang, and Ken Perlin. (2024). A Collaborative Multimodal XR Physical Design Environment. In SIGGRAPH Asia 2024 Extended Abstract (pp. 1-2). Citation A Survey on Audio-influenced Pseudo-Haptics: Methods, Applications, and Opportunities Associated With NYU Future Reality Lab and Music and Audio Research Laboratory Submitted to CHI 2025 Haptic feedback plays an important role in interaction, but traditional haptic devices are often difficult to access due to their complexity and high cost. A cost-effective alternative is to leverage auditory cues to generate pseudo-haptic sensations using the brain’s multisensory processing abilities. These auditory cues can enhance or modify actual haptic feedback, add detail to low-resolution haptic devices, or create convincing haptic illusions without physical contact. Despite their potential, audio-influenced pseudo-haptics remain underexplored. In this survey, we provide a comprehensive overview of existing research on audio-influenced pseudo-haptics, summarizing the mapping between different auditory cues and the pseudo-haptics that they elicit. We review and categorize system implementations, study methods and applications, identify key challenges, and discuss future opportunities. We aim to provide a road map in audio-influenced pseudo-haptics research and inspire further exploration in this field, fostering innovation and guiding the development of more immersive, functional, and accessible systems. Keru Wang, Yi Wu, Pincun Liu, Zhu Wang, Agnieszka Roginska, Qi Sun, and Ken Perlin. (2024). A Survey on Audio-influenced Pseudo-Haptics: Methods, Applications, and Opportunities. In Proceedings of the CHI Conference on Human Factors in Computing Systems (pp. 1-25). Citation More projects are in progress, come back soon for updates!

实习经历 穿越现实世界的旅行。 即将推出（2023 年冬季） SC-103 Unity游戏开发 II 15 节课 总计约 23 小时 WATCH 第 1 课 - C# 编程进阶（上） 第 2 课 - C# 编程进阶（下） 第 3 课 - 设计模式 第 4 课 - 协程与数据结构 第 5 课 - 物理系统详解 第 6 课 - 程序化物理 第 7 课 - 程序化生成 第 8 课 - 软体物理模拟 第 9 课 - 程序化动画与Tweening 第 10 课 - 骨骼动画与IK 第 11 课 - UI 系统进阶 第 12 课 - 自定义 UI 组件 第 13 课 - UI 事件和文本动画 第 14 课 - 对话系统 第 15 课 - 背包系统 第 16 课 - 战斗系统 第 17 课 - 课程回顾与前瞻 SC-102 Unity游戏开发 I 17 节课 总计约 26 小时 观看 第 1 课 - C# 编程基础 第 2 课 - Unity 重要概念 第 3 课 - 物理系统 第 4 课 - 动画和 2D 渲染 第 5 课 - 相机和 UI 系统 第 6 课 - UI系统实践 第 7 课 - 协程和事件 第 8 课 - 3D 物理与渲染 第 9 课 - 音频和视觉效果 第 10 课 - 场景加载与存档 第 11 课 - 设计理念与程序实现 SC-101 Unity游戏开发初步 11 节课 总计约 24 小时 观看

时间的前奏 冒险/平台游戏，PC，2019-20 后退 介绍 Prelude of Time 是一款 2D 平台冒险游戏，需要控制三个不同的角色。玩家将探索微妙的时间世界并找到隐藏其中的真相。 活动 2020年THE 2020 IndiePlay中国独立游戏大奖【全国】最佳学生游戏提名（时光序曲） 2020年【全国】 第二届中国艺术游戏大赛优秀学生游戏（时光序曲） 2020【全国】入围（时光序曲）2020腾讯青少年游戏设计师挑战赛 2020年CAA“临风眠”奖【地区】金奖3万奖金（时光序曲） 我的角色 制片人、首席程序员

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